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Writer's pictureMax Markowitz

Thoughts On The 81st Venice Film Festival

Congratulations!


The 81st Venice Film Festival was the trip of a lifetime.  Venice IS as exhilaratingly beautiful as people say, just like in the movies! Sunset gondola rides, culinary Italian masterpieces for dinner every night, and a week-long stay at a charming AirB&B in a snug hidden alley in the heart of a beautiful town square. The film festival was my entire reason for going as Venice next to Cannes is the most famous film festival in the world as a whole. The chance to see it in gigantic screenings was a fairytale come true.  The audience was enthusiastic and brought a warmth and sentimentality that a true cinephile can only detect at film festivals. So many stars showed up to roaring cheers and long-standing ovations.  I enjoyed seeing Vincent Lindon and Angelina Jolie in person from afar. This year's cinema was superb and I’m so excited for everything I saw to come to the U.S. so audiences can see and discuss passionately and openly. I saw 10 screenings of 9 different bodies of work and I’ll review my full thoughts on them when they are released officially. 


Babygirl, The Brutalist, Disclaimer, Diva Futura, Joker: Folie a Deux, Maria, Queer, The Quiet Son and The Room Next Door are all so eternally different from one another but what these 9 films all have in common is an overwhelming urge to speak various truths about our societal distress and get audiences in various corners of our world talking, feeling and activating on a quest for change. From sexual repression and the toxicity of censorship to ideology in violence, anti-Semitism, and society's failure towards those struggling with mental health, the range of topics this year’s lineup explores leaves no room for any doubt on the profound extremity of the countless situations at hand. The performances are riveting and powerful, the cinematography shots chilling, tranquil, and focused, and the music haunting, gentle, and melancholy. One element that always stood out was the realization that actors can’t just be great by themselves, they need to maintain their level of excellence with their co-stars and every single film had the most chemistry-induced casts and duets. 


Most congratulations to all the actors, filmmakers, and crew for their tremendous work, a special shout out of gratitude for the security at the theaters for keeping things moving along throughout the transition of audiences, keeping us all safe, and kindly answering any questions those like me who’d never been to a Venice screening before may have had. I also congratulate Pedro Almodovar for winning the Golden Lion for his gentle and passionate The Room Next Door, Vincent Lindon & Nicole Kidman for their Volpi Cup wins for The Quiet Son & Babygirl, and the head of this year's jury Isabelle Huppert for a job well done and for stressing the importance of festivals. I look forward to seeing some of these magnificent films again when I serve as a film ambassador to hotels and hotel residences at the upcoming 33rd Philadelphia Film Festival this October.  I’m excited for audiences worldwide to soak in the excellence of all these amazing films.  Congrats to Venice on another very successful year and Thank You for doing your part in contributing to the art of cinema. 

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